In September 2012 there will be an exhibition in the Library in Santarém, 21 artists will exhibit works in the artists collaboration called "Create Portugal". It will be in response to the individual artists feelings and expressions about living in Portugal.
My art works will be a response to the portuguese authoress Sophia de Mello Breyner Andresen who wrote many wonderful childrens books referencing her love of the land and the sea of Portugal.
My work is focused on one of her book "Menina do Mar" which includes many visual descriptions in and out of the sea.
Living close to the sea, in Monte Estoril, I am making paintings, drawings and collages using direct references from the local coast line and the coast north of Lisbon in conjunction with the descriptions in her book.
Wednesday 30 May 2012
Wednesday 30 April 2008
Exhibition "O Jardim"
Exposição de pintura, fotografia e desenho
inspirada pelo jardim botânico da universidade de lisboa
Inauguração: 7 de maio, das 18h às 23h
sala do veado
museu nacional de história natural
rua da escola politécnica, 58
1250-102 lisboa
3ª a 6ª feira: 10h-17h / fim de semana: 11h-18h
encerrada à 2ª feira e feriados
patente até o dia 31 de Maio, 2008
metro: rato
autocarros: 758, 773
http://flourishingart.blogspot.com/
inspirada pelo jardim botânico da universidade de lisboa
Inauguração: 7 de maio, das 18h às 23h
sala do veado
museu nacional de história natural
rua da escola politécnica, 58
1250-102 lisboa
3ª a 6ª feira: 10h-17h / fim de semana: 11h-18h
encerrada à 2ª feira e feriados
patente até o dia 31 de Maio, 2008
metro: rato
autocarros: 758, 773
http://flourishingart.blogspot.com/
Introduction to new exhibition "O Jardim" 2008
In 2003 I graduated from Central Saint Martin’s college of Art and Design in London, having studied Fine Art. Before this I studied Art and Design at Croydon College, specialising in textile designs.
My art work has been influenced greatly in my previous working life as a health professional. My studies in textile design fuelled my fascination and experimentation with mixed media. The manipulation of materials to create unusual effects continues to surprise and inspire me. In the process of mixing techniques and media in drawing, painting and collage the art work for this exhibition has mostly transformed into abstraction, though always referenced from life.
In this exhibition I return to my interest in organic forms, often with familiar, subliminal references that interconnect to earlier studies of bacteria and viruses under the microscope.
In the Botanical Gardens I have been drawn to the obscure, the discarded, the hanging roots that though half dead are alive. The paintings depict this with transformations in colour and movement. I have referred to photographic images of cut, dying tree trunks, remains of cut plants exposing unusual patterns, and the root formations that are especially familiar in the Lisbon Botanical Gardens.
Once the paintings begin, they develop by themselves and the original reference is often lost in the process. Some paintings begin decoratively, using parts of the flora – seeds, roots, grasses – that are collaged onto the canvas, while others gesture shapes and pattern. I rarely use a paintbrush and often begin an idea drawing in glue with a syringe; many of the paintings are determined by moving poured paint and glue, manipulated with my fingers.
There remains a continuing development from complex and decorative to more minimal and then back again. The references, techniques and media remain a changing source for future works.
My art work has been influenced greatly in my previous working life as a health professional. My studies in textile design fuelled my fascination and experimentation with mixed media. The manipulation of materials to create unusual effects continues to surprise and inspire me. In the process of mixing techniques and media in drawing, painting and collage the art work for this exhibition has mostly transformed into abstraction, though always referenced from life.
In this exhibition I return to my interest in organic forms, often with familiar, subliminal references that interconnect to earlier studies of bacteria and viruses under the microscope.
In the Botanical Gardens I have been drawn to the obscure, the discarded, the hanging roots that though half dead are alive. The paintings depict this with transformations in colour and movement. I have referred to photographic images of cut, dying tree trunks, remains of cut plants exposing unusual patterns, and the root formations that are especially familiar in the Lisbon Botanical Gardens.
Once the paintings begin, they develop by themselves and the original reference is often lost in the process. Some paintings begin decoratively, using parts of the flora – seeds, roots, grasses – that are collaged onto the canvas, while others gesture shapes and pattern. I rarely use a paintbrush and often begin an idea drawing in glue with a syringe; many of the paintings are determined by moving poured paint and glue, manipulated with my fingers.
There remains a continuing development from complex and decorative to more minimal and then back again. The references, techniques and media remain a changing source for future works.
Monday 31 March 2008
Thursday 28 February 2008
migraine
sample of collaged slide collection exhibition C.S.M 2003Pink plastic bag burnt, slashed and manipulated onto glass slide. Exhibited as an A1 Duratran in a light box
Heather Taylor
Heather Taylor graduated in Fine Art, having studied at Central Saint Martins School of Art and Design, now part of the London Institute. Her background as a Health Professional inspired much of her previous art works and exhibitions. She is currently working for a new exhibition together with three other artists inspired by the Botanical Gardens in Lisbon Portugal which will be shown in May 2008.
Subscribe to:
Posts (Atom)
